{"id":1402,"date":"2026-08-28T10:55:18","date_gmt":"2026-08-28T10:55:18","guid":{"rendered":"https:\/\/www.sic12.org\/?page_id=1402"},"modified":"2026-08-28T11:01:54","modified_gmt":"2026-08-28T11:01:54","slug":"bio-gus-fr","status":"publish","type":"page","link":"https:\/\/www.sic12.org\/?page_id=1402&lang=fr","title":{"rendered":"bio gus fr"},"content":{"rendered":"\t\t
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Gustavo Giacosa<\/h2>\n\t\t\n<\/div>\n
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Com\u00e9dien, metteur en sc\u00e8ne, commissaire d\u2019exposition et collectionneur,<\/strong>
Gustavo Giacosa est n\u00e9 en Argentine en 1969.<\/strong> Apr\u00e8s des \u00e9tudes de litt\u00e9rature \u00e0 l\u2019Universidad Nacional del Litoral de Santa Fe, il commence son parcours th\u00e9\u00e2tral avec Rafael Bruza, puis poursuit sa formation aupr\u00e8s de Pippo Delbono<\/strong>, avec lequel il collabore jusqu\u2019en 2010 aux productions th\u00e9\u00e2trales et cin\u00e9matographiques de la compagnie.\u00c0 partir de 2005, il d\u00e9veloppe une recherche artistique centr\u00e9e sur la relation entre art et alt\u00e9rit\u00e9<\/strong>, \u00e0 travers le th\u00e9\u00e2tre, les arts visuels, le commissariat d\u2019exposition et l\u2019\u00e9criture. Cette recherche l\u2019am\u00e8ne \u00e0 travailler avec des artistes et des formes de cr\u00e9ation situ\u00e9s aux marges du syst\u00e8me de l\u2019art, et \u00e0 constituer la Collection Puentes<\/strong>, mettant en dialogue l\u2019Art Brut et l\u2019art contemporain.
En 2012, il fonde \u00e0 Aix-en-Provence la plateforme artistique SIC12<\/strong>, avec le pianiste et compositeur Fausto Ferraiuolo<\/strong>, r\u00e9unissant leurs activit\u00e9s de cr\u00e9ation, de production et de recherche.Il est \u00e9galement cofondateur de SIC12 artstudio \u00e0 Rome<\/strong>, d\u00e9di\u00e9 aux expositions, \u00e0 la recherche et aux r\u00e9sidences artistiques.Th\u00e9\u00e2treSon travail de metteur en sc\u00e8ne explore les relations entre document et fiction, m\u00e9moire et invention<\/strong>, en associant th\u00e9\u00e2tre, musique, images et arts visuels. Ses productions sont pr\u00e9sent\u00e9es dans des th\u00e9\u00e2tres, des festivals et des institutions culturelles en France et \u00e0 l\u2019international.

Productions th\u00e9\u00e2trales s\u00e9lectionn\u00e9es:<\/strong>
Ponts Suspendus<\/strong> \u2014 Th\u00e9\u00e2tre du Merlan, Sc\u00e8ne nationale de Marseille, 2014 
La Maison<\/strong> \u2014 CCAM, Sc\u00e8ne nationale de Vand\u0153uvre-l\u00e8s-Nancy, 2016 
Nannetti, le colonel astral<\/strong> \u2014 Th\u00e9\u00e2tre Libert\u00e9, Sc\u00e8ne nationale de Toulon, 2016 
En Chemin<\/strong> \u2014 Th\u00e9\u00e2tre Libert\u00e9, Sc\u00e8ne nationale de Toulon, 2018 
Rosso Pasolini<\/strong> \u2014 Festival Internazionale del Teatro Romano, Volterra, 2019 
Giovanni !\u2026 en attendant la bombe<\/strong> \u2014 Ch\u00e2teauvallon, Sc\u00e8ne nationale, Ollioules, 2021
La Gr\u00e2ce<\/strong> \u2014 Th\u00e9\u00e2tre La Grange de Dorigny, UNIL, Lausanne, 2021 
M. Un amour supr\u00eame<\/strong> \u2014 Centre Georges Pompidou, Paris, et Th\u00e9\u00e2tre des Halles, Avignon, 2024

Expositions<\/strong>:
Parall\u00e8lement \u00e0 son activit\u00e9 th\u00e9\u00e2trale, il con\u00e7oit et organise des expositions consacr\u00e9es \u00e0 l\u2019Art Brut et aux dialogues entre artistes autodidactes et art contemporain.Ses projets ont notamment \u00e9t\u00e9 pr\u00e9sent\u00e9s \u00e0 la Halle Saint-Pierre \u00e0 Paris, \u00e0 la Collection de l\u2019Art Brut \u00e0 Lausanne, au Centro de Arte Oliva au Portugal<\/strong>, ainsi que dans de nombreuses institutions internationales.Il a \u00e9galement particip\u00e9 comme commissaire associ\u00e9 \u00e0 des projets tels que Seuls<\/strong> et L\u2019Autre de l\u2019art<\/strong> au LaM \u2013 Lille M\u00e9tropole Mus\u00e9e d\u2019art moderne, d\u2019art contemporain et d\u2019art brut \u00e0 Villeneuve-d\u2019Ascq.

Expositions s\u00e9lectionn\u00e9es en tant que commissaire:<\/strong>
Due ma non Due<\/strong> \u2014 Loggia della Mercanzia, G\u00eanes, 2008 
Noi, quelli della parola che sempre cammina<\/strong> \u2014 Commenda di Pr\u00e9, G\u00eanes, 2010 
Banditi dell\u2019Arte<\/strong> \u2014 Halle Saint-Pierre, Paris, 2012 
Corps<\/strong> \u2014 Collection de l\u2019Art Brut, Lausanne, 2018 
Histoires de violence<\/strong> \u2014 Centro de Arte Oliva, Portugal, 2019 
Fant\u00f4mes<\/strong> \u2014 Maison Auguste Comte, Paris, 2019 
\u00c0 Deux. L\u2019Art Brut dans la collection Giacosa\u2013Ferraiuolo<\/strong> \u2014 Cit\u00e9 du Livre \/ Galerie Zola, Aix-en-Provence, 2020 
Anonymes<\/strong> \u2014 Collection de l\u2019Art Brut, Lausanne, 2021 
A Due<\/strong> \u2014 SIC12 artstudio, Rome, 2021 
Parole in cammino<\/strong> \u2014 SIC12 artstudio, Rome, 2022 
Corpo Ricorda<\/strong> \u2014 SIC12 artstudio, Rome, 2023 
\u00c9critures en errance<\/strong> \u2014 Galerie de La Manufacture, Aix-en-Provence \/ M.L.A.C. La Sapienza, Rome, 2024 
La Casa<\/strong> \u2014 SIC12 artstudio, Rome, 2024 
Aspettando la bomba. L\u2019Art brut di Giovanni Galli<\/strong> \u2014 Accademia delle Arti del Disegno, Florence, 2025
Recherche, publications et transmission
Son travail comprend \u00e9galement des publications, des projets de recherche et des activit\u00e9s p\u00e9dagogiques<\/strong>, notamment aupr\u00e8s de personnes en situation de vuln\u00e9rabilit\u00e9.Sa d\u00e9marche cherche \u00e0 cr\u00e9er des ponts entre diff\u00e9rentes pratiques artistiques, exp\u00e9riences et formes de cr\u00e9ation<\/strong>, en faisant de l\u2019art un espace de rencontre, de recherche et de transformation.<\/p>\n\t\t\n<\/div>\n\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Gustavo Giacosa Com\u00e9dien, metteur en sc\u00e8ne, commissaire d\u2019exposition et collectionneur,Gustavo Giacosa est n\u00e9 en Argentine en 1969. Apr\u00e8s des \u00e9tudes […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-1402","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.sic12.org\/index.php?rest_route=\/wp\/v2\/pages\/1402","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sic12.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sic12.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sic12.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sic12.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1402"}],"version-history":[{"count":4,"href":"https:\/\/www.sic12.org\/index.php?rest_route=\/wp\/v2\/pages\/1402\/revisions"}],"predecessor-version":[{"id":1406,"href":"https:\/\/www.sic12.org\/index.php?rest_route=\/wp\/v2\/pages\/1402\/revisions\/1406"}],"wp:attachment":[{"href":"https:\/\/www.sic12.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1402"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}