{"id":1390,"date":"2026-08-28T10:37:59","date_gmt":"2026-08-28T10:37:59","guid":{"rendered":"https:\/\/www.sic12.org\/?page_id=1390"},"modified":"2026-08-28T10:45:21","modified_gmt":"2026-08-28T10:45:21","slug":"bio-fr-fausto","status":"publish","type":"page","link":"https:\/\/www.sic12.org\/?page_id=1390&lang=fr","title":{"rendered":"bio fr fausto"},"content":{"rendered":"\t\t
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Fausto Ferraiuolo<\/h2>\n\t\t\n<\/div>\n
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N\u00e9 \u00e0 Naples,
Fausto Ferraiuolo est pianiste, compositeur et musicien de sc\u00e8ne<\/strong>.
Il obtient son dipl\u00f4me de piano jazz avec les f\u00e9licitations du jury au Conservatoire d\u2019Alessandria, en Italie.Il approfondit ensuite la tradition du piano jazz \u00e0 New York et \u00e0 Rome aupr\u00e8s de Barry Harris<\/strong> et obtient en 2010 un Master international de jazz \u00e0 Siena Jazz (InJam)<\/strong><\/p>\n\t\t\n<\/div>\n

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Au cours de sa formation, il \u00e9tudie avec Enrico Pieranunzi<\/strong>, suit les cours de perfectionnement de John Taylor<\/strong> et George Cables<\/strong>, et approfondit la pratique de la musique d\u2019ensemble avec Paul Jeffrey<\/strong> et Benny Golson<\/strong>.Depuis 1989, il se produit avec son propre trio, d\u00e9veloppant une intense activit\u00e9 de concert en Italie et \u00e0 l\u2019\u00e9tranger et enregistrant de nombreux albums, parmi lesquels The Secret of the Moon<\/em>, Guajon<\/em>, Blue and Green<\/em>, Changing Walking<\/em>, Artam\/Mantra<\/em>, Ponts Suspendus<\/em>, Il dono<\/em> et Disubbidire sempre<\/em>.<\/p>\n\t\t\n<\/div>\n

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Collaborations:
<\/strong>Au cours de sa carri\u00e8re, il collabore avec de grandes figures du jazz italien et international, parmi lesquelles Tony Scott, Elliot Zigmund, Paolo Fresu, Maurizio Giammarco, Massimo Urbani, Marc Abrams, Fabrizio Sferra, Pietro Condorelli, Daniele Scannapieco, Attilio Zanchi, Daniele Sepe, Piero Leveratto, Alfred Kramer, Bobby Durham, Gianni Cazzola, Pietro Iodice, Tino Tracanna et Marco Tamburini<\/strong>.<\/p>\n\t\t\n<\/div>\n

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Cin\u00e9ma et th\u00e9\u00e2tre:
<\/strong>Parall\u00e8lement \u00e0 son activit\u00e9 dans le jazz, Fausto Ferraiuolo d\u00e9veloppe un important travail de composition pour le cin\u00e9ma et le th\u00e9\u00e2tre<\/strong>. En 1992, il commence \u00e0 composer des musiques pour le cin\u00e9ma, en collaborant avec Pippo Delbono<\/strong> pour les films Guerra<\/em>, laur\u00e9at du David di Donatello<\/strong>, et Grido<\/em>.Depuis 1998, il travaille comme compositeur et musicien de sc\u00e8ne pour de nombreuses productions de la Compagnia Pippo Delbono<\/strong>, avec laquelle il d\u00e9veloppe une collaboration artistique au long cours. Il compose et interpr\u00e8te les musiques de spectacles tels que Guerra<\/em>, Esodo<\/em>, Il Silenzio<\/em> et Gente di Plastica<\/em>.Ces productions sont pr\u00e9sent\u00e9es dans le cadre de tourn\u00e9es internationales au Japon, au Br\u00e9sil, en \u00c9quateur, en Isra\u00ebl, en Palestine, en Russie, en Argentine, en France, en Espagne, en Pologne, aux Pays-Bas et \u00e0 La R\u00e9union<\/strong>.<\/p>\n\t\t\n<\/div>\n

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Enseignement et institutions artistiques:
<\/strong>En 2005, il est cofondateur de ContemporArt<\/strong>, association culturelle bas\u00e9e \u00e0 G\u00eanes, dont il devient vice-pr\u00e9sident et directeur musical.De 2006 \u00e0 2012, il enseigne le piano jazz<\/strong> dans les cursus de licence et de master au Conservatoire \u201cNiccol\u00f2 Paganini\u201d de G\u00eanes<\/strong>, ainsi qu\u2019\u00e0 la Casa della Musica de G\u00eanes.En 2008, il figure parmi les fondateurs du Count Basie Jazz Club de G\u00eanes<\/strong>, dont il devient \u00e9galement membre du conseil d\u2019administration, contribuant ainsi \u00e0 la promotion et au d\u00e9veloppement de la culture jazz.<\/p>\n\t\t\n<\/div>\n

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France et parcours acad\u00e9mique:<\/strong>
De 2013 \u00e0 2017, il enseigne le piano jazz, l\u2019harmonie et l\u2019ear training<\/strong> au Conservatoire CRR d\u2019Annecy, ainsi que le piano jazz et l\u2019histoire du jazz \u00e0 Chamb\u00e9ry, en France.En 2016, il est nomm\u00e9 \u00e0 la chaire de piano jazz du Conservatoire de Campobasso<\/strong>, en Itali<\/p>\n\t\t\n<\/div>\n

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Discographie:<\/strong>
Son trio participe \u00e9galement \u00e0 plusieurs projets discographiques, parmi lesquels Siena Jazz 1989<\/em> avec Paolo Fresu, Spiritus Mundi<\/em> avec Daniele Sepe, La mia Musica<\/em> de Pietro Vitale et Here\u2019s the Life<\/em> de Linda Mironti.
Travaux r\u00e9cents
<\/strong> Ces derni\u00e8res ann\u00e9es, sa recherche compositionnelle s\u2019est de plus en plus concentr\u00e9e sur la relation entre \u00e9criture et improvisation<\/strong>, \u00e0 travers des collaborations avec des musiciens de renomm\u00e9e internationale.Il publie Il dono<\/em>, avec le grand batteur am\u00e9ricain Jeff Ballard<\/strong>, puis Disubbidire sempre<\/em>, son dernier album r\u00e9alis\u00e9 avec le clarinettiste Gabriele Mirabassi<\/strong>, autour de compositions originales de Fausto Ferraiuolo.
Aujourd\u2019huiIl est actuellement Professeur titulaire de piano jazz et de techniques d\u2019improvisation au Conservatoire de musique \u201cAlfredo Casella\u201d de L\u2019Aquila<\/strong>, o\u00f9 il poursuit parall\u00e8lement son activit\u00e9 artistique et sa recherche compositionnelle.
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Fausto Ferraiuolo N\u00e9 \u00e0 Naples, Fausto Ferraiuolo est pianiste, compositeur et musicien de sc\u00e8ne.Il obtient son dipl\u00f4me de piano jazz […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-1390","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.sic12.org\/index.php?rest_route=\/wp\/v2\/pages\/1390","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sic12.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sic12.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sic12.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sic12.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1390"}],"version-history":[{"count":7,"href":"https:\/\/www.sic12.org\/index.php?rest_route=\/wp\/v2\/pages\/1390\/revisions"}],"predecessor-version":[{"id":1397,"href":"https:\/\/www.sic12.org\/index.php?rest_route=\/wp\/v2\/pages\/1390\/revisions\/1397"}],"wp:attachment":[{"href":"https:\/\/www.sic12.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1390"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}