{"id":1332,"date":"2026-08-27T21:29:39","date_gmt":"2026-08-27T21:29:39","guid":{"rendered":"https:\/\/www.sic12.org\/?page_id=1332"},"modified":"2026-08-28T07:39:21","modified_gmt":"2026-08-28T07:39:21","slug":"elementor-pagina-1332","status":"publish","type":"page","link":"https:\/\/www.sic12.org\/?page_id=1332","title":{"rendered":"Gustavo Giacosa bio"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"1332\" class=\"elementor elementor-1332\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-006be97 e-con e-atomic-element e-flexbox-base \" data-id=\"006be97\" data-element_type=\"e-flexbox\" data-e-type=\"e-flexbox\" data-interaction-id=\"006be97\" data-e-type=\"e-flexbox\" data-id=\"006be97\">\n    \t\t\t<h2 data-interaction-id=\"fead0e6\" class=\"e-heading-base\" data-e-type=\"widget\" data-id=\"fead0e6\">Gustavo Giacosa<\/h2>\n\t\t\n<\/div>\n<div class=\"elementor-element elementor-element-b13e3d3 e-con e-atomic-element e-flexbox-base \" data-id=\"b13e3d3\" data-element_type=\"e-flexbox\" data-e-type=\"e-flexbox\" data-interaction-id=\"b13e3d3\" data-e-type=\"e-flexbox\" data-id=\"b13e3d3\">\n    \t\t\t<p class=\"e-paragraph-base\" data-interaction-id=\"6dfcce5\" data-e-type=\"widget\" data-id=\"6dfcce5\"><strong id=\"e-mtcn4myi-3sbufoe\">Actor, theatre director, curator and collector,<\/strong><br><br><strong id=\"e-mtcn4myi-b52gvhq\"> Gustavo Giacosa was born in Argentina in 1969.<\/strong>After studying literature at the Universidad Nacional del Litoral in Santa Fe, he began his theatre career with Rafael Bruza, then continued his training with <strong id=\"e-mtcn4myi-vk5h77h\">Pippo Delbono<\/strong>, with whom he collaborated until 2010 on the company\u2019s theatre and film productions.From 2005 onwards, he has developed artistic research centred on the relationship between <strong id=\"e-mtcn4myi-pz0zbrn\">art and otherness<\/strong>, through theatre, visual arts, exhibition curation and writing. This research led him to work with artists and forms of creation situated at the margins of the art system, and to establish the <strong id=\"e-mtcn4myi-56hmlp7\">Puentes<\/strong> collection, bringing Art Brut and contemporary art into dialogue.<br><br>In <strong id=\"e-mtcn4myi-bgp5480\">2012, he founded the SIC12 artistic platform in Aix-en-Provence<\/strong>, together with pianist and composer <strong id=\"e-mtcn4myi-5a1ffvx\">Fausto Ferraiuolo<\/strong>, bringing together their creative, production and research activities.<br> He is also co-founder of the <strong id=\"e-mtcn4myi-6u4yu6c\">SIC12 artstudio in Rome<\/strong>, dedicated to exhibitions, research and artistic residencies.His work as a theatre director explores the relationship between <strong id=\"e-mtcn4myi-97fzd4z\">document and fiction, memory and invention<\/strong>, combining theatre, music, images and visual arts. His productions have been presented in theatres, festivals and cultural institutions in France and internationally.<strong id=\"e-mtcn4myi-ak4izv8\">Theatre productions Ponts Suspendus<\/strong> \u2014 Th\u00e9\u00e2tre du Merlan, Sc\u00e8ne nationale de Marseille, 2014&nbsp;<strong id=\"e-mtcn4myi-j3z2c0q\">La Maison<\/strong> \u2014 CCAM, Sc\u00e8ne nationale de Vand\u0153uvre-l\u00e8s-Nancy, 2016&nbsp;<strong id=\"e-mtcn4myi-eafm5pt\">Nannetti, le colonel astral<\/strong> \u2014 Th\u00e9\u00e2tre Libert\u00e9, Sc\u00e8ne nationale de Toulon, 2016&nbsp;<strong id=\"e-mtcn4myi-bk7qyjv\">En Chemin<\/strong> \u2014 Th\u00e9\u00e2tre Libert\u00e9, Sc\u00e8ne nationale de Toulon, 2018&nbsp;<strong id=\"e-mtcn4myi-xqlw7pl\">Rosso Pasolini<\/strong> \u2014 Festival Internazionale del Teatro Romano, Volterra, 2019&nbsp;<strong id=\"e-mtcn4myi-nqqgsmt\">Giovanni !\u2026 en attendant la bombe<\/strong> \u2014 Ch\u00e2teauvallon, Sc\u00e8ne nationale, Ollioules, 2021&nbsp;<strong id=\"e-mtcn4myi-nktk8ek\">La Gr\u00e2ce<\/strong> \u2014 Th\u00e9\u00e2tre La Grange de Dorigny, UNIL, Lausanne, 2021&nbsp;<strong id=\"e-mtcn4myi-a8qpp8f\">M. Un amour supr\u00eame<\/strong> \u2014 Centre Georges Pompidou, Paris, and Th\u00e9\u00e2tre des Halles, Avignon, 2024<br><br>Alongside his theatre work, he curates exhibitions devoted to Art Brut and dialogues between self-taught artists and contemporary art. His projects have been presented at <strong id=\"e-mtcn4myi-2eedzfl\">Halle Saint-Pierre in Paris, Collection de l\u2019Art Brut in Lausanne, Centro de Arte Oliva in Portugal<\/strong>, and numerous international institutions. He has also worked as an associate curator on projects such as <strong id=\"e-mtcn4myi-a48xj56\">Seuls<\/strong> and <strong id=\"e-mtcn4myi-p138tu7\">L\u2019Autre de l\u2019art<\/strong> at the LaM in Villeneuve d\u2019Ascq.<strong id=\"e-mtcn4myi-wwxl03a\">Selected exhibitions as curatorDue ma non Due<\/strong> \u2014 Loggia della Mercanzia, Genoa, 2008&nbsp;<strong id=\"e-mtcn4myi-m66smf5\">Noi, quelli della parola che sempre cammina<\/strong> \u2014 Commenda di Pr\u00e9, Genoa, 2010&nbsp;<strong id=\"e-mtcn4myi-fv6433j\">Banditi dell\u2019Arte<\/strong> \u2014 Halle Saint-Pierre, Paris, 2012&nbsp;<strong id=\"e-mtcn4myi-igf8wce\">Corps<\/strong> \u2014 Collection de l\u2019Art Brut, Lausanne, 2018<strong id=\"e-mtcn4myi-45mj2zj\">Histoires de violence<\/strong> \u2014 Centro de Arte Oliva, Portugal, 2019&nbsp;<strong id=\"e-mtcn4myi-xzzg3sz\">Fant\u00f4mes<\/strong> \u2014 Maison Auguste Comte, Paris, 2019&nbsp;<strong id=\"e-mtcn4myi-zoppvle\">\u00c0 Deux. L\u2019Art Brut dans la collection Giacosa\u2013Ferraiuolo<\/strong> \u2014 Cit\u00e9 du Livre \/ Galerie Zola, Aix-en-Provence, 2020&nbsp;&nbsp;<strong id=\"e-mtcn4myi-5foieqf\">Anonymes<\/strong> \u2014 Collection de l\u2019Art Brut, Lausanne, 2021<strong id=\"e-mtcn4myi-1mqjhjm\">A Due<\/strong> \u2014 SIC12 artstudio, Rome, 2021<strong id=\"e-mtcn4myi-1h6jvi3\">Parole in cammino<\/strong> \u2014 SIC12 artstudio, Rome, 2022&nbsp;<strong id=\"e-mtcn4myi-w3bzarb\">Corpo Ricorda<\/strong> \u2014 SIC12 artstudio, Rome, 2023&nbsp;<strong id=\"e-mtcn4myi-5tfircg\">\u00c9critures en errance<\/strong> \u2014 Galerie de La Manufacture, Aix-en-Provence \/ M.L.A.C. La Sapienza, Rome, 2024&nbsp;<strong id=\"e-mtcn4myi-z4hauyo\">La Casa<\/strong> \u2014 SIC12 artstudio, Rome, 2024&nbsp;<strong id=\"e-mtcn4myi-gcwga6q\">Aspettando la bomba. L\u2019Art brut di Giovanni Galli<\/strong> \u2014 Accademia delle Arti del Disegno, Florence, 2025His work also includes <strong id=\"e-mtcn4myi-oub2ex0\">publications, research projects and educational activities<\/strong>, notably with people in vulnerable situations. His practice seeks to build bridges between different artistic practices, experiences and forms of creation.<\/p>\n\t\t\n<\/div>\n\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Gustavo Giacosa Actor, theatre director, curator and collector, Gustavo Giacosa was born in Argentina in 1969.After studying literature at the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-1332","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.sic12.org\/index.php?rest_route=\/wp\/v2\/pages\/1332","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sic12.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sic12.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sic12.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sic12.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1332"}],"version-history":[{"count":11,"href":"https:\/\/www.sic12.org\/index.php?rest_route=\/wp\/v2\/pages\/1332\/revisions"}],"predecessor-version":[{"id":1353,"href":"https:\/\/www.sic12.org\/index.php?rest_route=\/wp\/v2\/pages\/1332\/revisions\/1353"}],"wp:attachment":[{"href":"https:\/\/www.sic12.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1332"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}